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	<title>The Amazon Guide &#187; atwood</title>
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		<title>Atwood, Michael</title>
		<link>http://www.theamazonguide.com/2008/06/atwood-michael/</link>
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		<pubDate>Wed, 11 Jun 2008 20:28:40 +0000</pubDate>
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		<description><![CDATA[Why did Chad Michael Murray turn down &#8220;The O.C.&#8221; Ryan Atwood role, and instead went on OTH as Lucas Scott? ? I&#8217;m happy that he did, what he did. What do you guys think? Would he have been better on the OC or OTH? BUT WHY DID HE TURN DOWN THE OC ROLE OVER THE [...]]]></description>
			<content:encoded><![CDATA[<p><img style="margin-right:20px" src="http://www.theamazonguide.com/wp-content/uploads/Atwood, Michael.jpg" alt="Atwood, Michael" border="0" align="left" /><br />
<b>Why did Chad Michael Murray turn down &#8220;The O.C.&#8221; Ryan Atwood role, and instead went on OTH as Lucas Scott? ?</b><br />
<i>
<p>I&#8217;m happy that he did, what he did. What do you guys think? Would he have been better on the OC or OTH?</p>
<p>BUT WHY DID HE TURN DOWN THE OC ROLE OVER THE OTH ROLE, JUST CURIOUS&#8230;
</p>
<p></i></p>
<p>He turned down the OC because he didnt like the character as much. </p>
<p>I think he made the right choice. I mean look at it, OTH is on its 6th season and the OC only made it what 3 seasons? </p>
<p>I think he does great on OTH, it shows how broad his acting skills are. Because he could have went on to the OC and played some preppy jerk that had no substance, like he played in Gilmore Girls. Or he could play Lucas like he decided and have more of a substance and background to him.</p>
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		<title>Atwood, Chris (II)</title>
		<link>http://www.theamazonguide.com/2008/04/atwood-chris-ii/</link>
		<comments>http://www.theamazonguide.com/2008/04/atwood-chris-ii/#comments</comments>
		<pubDate>Thu, 17 Apr 2008 15:14:51 +0000</pubDate>
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		<title>Margaret Atwood</title>
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		<pubDate>Sun, 06 Apr 2008 09:06:02 +0000</pubDate>
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		<description><![CDATA[Sometimes, when reading a big book, one gets the feeling that the author set out to achieve size, as if that in itself might suggest certain adjectives from a reader or reviewer &#8211; weighty, significant, deep, serious, complex, extensive, perhaps. Sometimes &#8211; rarely, in fact &#8211; one reads a big book and becomes lost in [...]]]></description>
			<content:encoded><![CDATA[<p>Sometimes, when reading a big book, one gets the feeling that the author set out to achieve size, as if that in itself might suggest certain adjectives from a reader or reviewer &#8211; weighty, significant, deep, serious, complex, extensive, perhaps. Sometimes &#8211; rarely, in fact &#8211; one reads a big book and becomes lost in its size, lost in the sense that one ceases to notice the hundreds passing by, as the work creates its own time, defines its own experience, shares its own world. Even then, reaching the end can often be merely trite, just a running out of steam, the process thoroughly engaging, the product, however, something of a let down. Rarely, very rarely indeed, one reads a big book that actually needs its size, justifies itself, continues to surprise as well as enchant and then, finally, stuns. Margaret Atwood&#8217;s Blind Assassin is such a book, a giant in every sense, a masterpiece beyond question.</p>
<p>Blind Assassin was awarded the Booker prize in 2000 and charts intersecting histories of two well-to-do Canadian families, Chase and Griffen. The two Chase sisters, Iris and Laura, are quite different people. Born into the relative opulence of a Canadian manufacturing family, they have a private education of sorts, experienced throughout and yet alongside something vaguely like a childhood. Various aspects of twentieth century history impinge upon their lives and eventually force their family to reassess its status. Economic downturn, war and family tragedy take their toll on the father, who becomes less able to manage either his own life or his business. Something has to give. Ways of coping must be found.</p>
<p>Iris, the elder sister, is the first person narrator of about half of the book, the other half being devoted to a book within a book, a novel in the name of Laura, the younger sister. This novel, entitled The Blind Assassin, is an eclectic mix of experience, sex, fantasy and politics. It has made a name for Laura and retains a significant cult following many years after its publication. Laura, herself, died in a car accident. She drove off a bridge into a ravine. The car belonged to Iris. There was never any real explanation for the event.</p>
<p>Iris, meanwhile, has been married off to an older man, a Griffen, who seems to treat her like so much chattel. But then he is an industrialist with the wherewithal, not to mention capital, to assist the bride&#8217;s family business in its time of need. Iris, therefore, experiences the Canadian equivalent of an arranged marriage. Perhaps the word marriage is a little overstated. The partnership could be better described as a merger, or a union, if that were not a dirty word because of its political connotation.</p>
<p>And so the octogenarian Iris, clearly anticipating the end of her days, embarks upon a cathartic outpouring of personal and family history in the hope that an estranged granddaughter might just understand a little about other peoples&#8217; motives.</p>
<p>The book takes us through Canada and north America, across to Europe, via an imagined universe, to political commitment, direct action and its inevitable reaction. Iris needs to write it all down. And so she works her story out, constructing it, perhaps reconstructing it, maybe inventing it from memory and relived experience against a backdrop of contemporary Canada and her own failing health. Her vulnerability, in the end, is our debt, our penance, perhaps. She is a wise old woman with much to hide, but her acerbic wit is undiminished by age, her observations of others stunningly perspicacious.</p>
<p>It is not often that a novel, a mere flight of another&#8217;s fancy, achieves the subtle, stunning and surely enduring power of the Blind Assassin.</p>
<p>Philip Spires<br /> Author of Mission, an African novel set in Kenya<br /><a target="_new" href="http://www.philipspires.co.uk">http://www.philipspires.co.uk</a></p>
<p>Michael, a missionary priest, has just killed Munyasya, a retired army officer, outside the cathedral in Kitui, Kenya. It was an accident, but Mulonzya, a politician, exploits the tragedy for his own ends.</p>
<p><b>Margaret Atwood on Why Men Should Be Blue</b><br />
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		<title>Atwood, Kim</title>
		<link>http://www.theamazonguide.com/2008/03/atwood-kim/</link>
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		<pubDate>Mon, 31 Mar 2008 01:04:47 +0000</pubDate>
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		<description><![CDATA[M*A*S*H (Two-Disc Collector&#8217;s Edition) $10.45 Explores the day-to-day lives of three army surgeons who live and work at the Mobile Army Surgical Hospital (MASH) stationed three miles from the front during the Korean War.Genre: Feature Film-ComedyRating: RRelease Date: 7-FEB-2006Media Type: DVD&#8230; M*A*S*H [Blu-ray] $17.76 No description available for this title.Item Type: BLU-RAY DVD MovieItem Rating: [...]]]></description>
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It&#8217;s set during the Korean War, in a mobile army surgical hospital. But no one seeing M*A*S*H in 1970 confused the film for anything but a caustic comment on the Vietnam War; this is one of the counterculture movies that exploded into the mainstream at the end of the &#8217;60s. Director Robert Altman had labored for years in television and sporadic feature work when this smash-hit comedy made his name &#8230;
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It&#8217;s set during the Korean War, in a mobile army surgical hospital. But no one seeing M*A*S*H in 1970 confused the film for anything but a caustic comment on the Vietnam War; this is one of the counterculture movies that exploded into the mainstream at the end of the &#8217;60s. Director Robert Altman had labored for years in television and sporadic feature work when this smash-hit comedy made his name &#8230;
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Dont miss the stripped down fun and hot wired action  Studio: Video Communications Inc.  Release Date: 12/06/2005  Starring: Martin Yost  Run time: 96 minutes  Rating: R&#8230;
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		<title>Atwood, Matt</title>
		<link>http://www.theamazonguide.com/2007/12/atwood-matt/</link>
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		<pubDate>Wed, 12 Dec 2007 01:29:36 +0000</pubDate>
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		<description><![CDATA[Killers $9.99 &#8230; Killers &#8230; The Hound of the Baskervilles $10.00 HOUND OF THE BASKERVILLES &#8211; DVD Movie&#8230; Hacker Monthly Issue 2 (Regular Issue) $0.99 The July issue features &#8216;How to Bootstrap&#8217; by Spencer Fry and &#8216;The Secret Lives of Professors&#8217; by Matt Welsh. It also includes articles by Bruce Schneier, Jeff Atwood, Jakob Nielsen [...]]]></description>
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The July issue features &#8216;How to Bootstrap&#8217; by Spencer Fry and &#8216;The Secret Lives of Professors&#8217; by Matt Welsh. It also includes articles by Bruce Schneier, Jeff Atwood, Jakob Nielsen and a whole new section&#8230;.
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The Making of Modern Law: U.S. Supreme Court Records and Briefs, 1832-1978 contains the world&#8217;s most comprehensive collection of records and briefs brought before the nation&#8217;s highest court by leading legal practitioners &#8211; many who later became judges and associates of the court. It includes transcripts, applications for review, motions, petitions, supplements and other official papers of the most&#8230;
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		<title>Atwood, Smitty</title>
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		<pubDate>Fri, 23 Nov 2007 20:11:51 +0000</pubDate>
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