Aesop

Aug 09
2008

Everyone is familiar with Aesop’s Fables. They are short stories usually about animal characters designed to make a point about human behaviour. Aesop has been credited with inventing the fable. Indeed, the name Aesop has become synonymous with fables. However, animal fables existed long before Aesop. There are fables recorded in ancient artefacts of Babylon, Harappa (the ancient Indian civilisation), China and Persia.

Fables are the second oldest form of story known. The first is the myth: how the world came into existence, stories of the gods and goddesses and the powers that keep the earth going. Fables were often used by public speakers or priests trying to get their message across. In the days when people lived a lot closer to nature and usually were illiterate, the easiest way to communicate an important message to them was to tell a story about animal behaviour and relate it to human behaviour.

Before writing became widespread among the so-called “educated” members of the ancient societies, all the stories were passed on by word of mouth, with nothing written down. Stories were often told instead of laws being set down and adhered to. If you think about it this way: are you more inclined to “look both ways” before crossing traffic because your parents or “Constable Care” told you stories of people being hit by passing vehicles, or because the Road Traffic Act says to “be cautious when crossing a road”?

As nothing in that era was written down (except the exploits of a King or warrior), it is impossible to know exactly whether Aesop thought of the fables himself, or whether he was a wandering storyteller who collected fables. In the days of such widespread illiteracy, it is likely Aesop could not even read or write. Some have suggested he may have been blind, as Homer is suggested to be. The earliest reference to written fables we have is from the Greek historian Herodotus from around 300 BC. Unfortunately, Herodotus seemed to think everyone knew Aesop and his fables so well that he did not need to give any details of Aesop or his work.

Regardless of whether or not Aesop was the creative genius behind all the fables, they are still Aesop’s Fables. Even if they were not specifically written by a person by the name of “Aesop”, their value is no less. Would the fairy tales by Hans Christian Andersen or the Brothers Grimm be any less loved simply because they were written by different people? Of course not. Having said that, we are as certain as is possible that Hans Christian Andersen did in fact write the fairy tales attributed to him, as with the Brothers Grimm.

Do not let this article make you enjoy Aesop’s Fables any less. For in spite of all the difficulties and uncertainty surrounding the Fables, they bestow on us and on future generations the benefits of the ancient wisdom.

About the Author:

Mike holds a Bachelor of History and a Law degree from the University of Notre Dame. He has been involved in online marketing since mid 2005. This article is copyright 2006. Permission to use this is given on the condition that you link back to http://www.aesopresources.com

Article Source: ArticlesBase.comWho Wrote Aesop’s Fables?

Aesop Rock – None Shall Pass

Harris, Eric (II)

Apr 30
2008

Harris, Eric (II)

Have you watched Universal Production’s classic film by John Waters – “Cry Baby”? If not, then watch Cry Baby the musical on Broadway! Mark Brokaw, the director, and Thomas Meehan, the writer of the book; have once again shown their unmatched talent through this latest musical on the block.

Opened in November, 2007 and performed through December, the musical is all set to entertain its audience in March, 2008. If you’re not an avid theatre fan and hardly watch Broadway shows, you must watch “Cry Baby” this time! There are several reasons for this:

John Waters, who produced the movie “Cry Baby”, has to his credit “Hairspray”, which was a super hit of Broadway and bagged 8 Tony Awards in 2003!

Thomas Meehan has written the book. He’s the same writer who wrote the smashing hits “Hairspray”, “Annie”, “The Producers”, and “Young Frankenstein”!

The musical has been choreographed by Rob Ashford, who won a Tony Award for “Thoroughly Modern Millie” and was nominated for Tony for “The Wedding Singer” as well as “Curtains.”

The musical has lyrics as well as music by David Javerbaum, who has won an Emmy Award, and Adam Schlesinger, who has been nominated for Grammy Award.

Although the plot is the typical bad-guy-loves-good-girl, the story is not at all predictable.

This is not all. Cry Baby musical on Broadway features James Snyder as the lead character of king of the Drapes named Wade “Cry Baby” Walker. This is his spring 2008 debut on Broadway with this role. Starring opposite him in the female lead is Elizabeth Stanley, who plays Cry Baby’s beau, Allison Vernon Williams. The role of Mrs. Vernon Williams, Allison’s grandmother, is played by Harriet Harris. She’s regarded as the imposing dame of comedy.

The other star cast includes Cristen Paige playing the role of Mona; Lacey Kohl playing Wanda; Carly Jibson playing the role of Pepper; Alli Mauzey in the character of Lenora, Chester Grefory II in the role of Dupree. The musical also has Christopher J. Hanke.

The creative group includes Ashley Amber, Cameron Adams, Michael D. Jablonski, Michael Buchanan, Nick Blaemire, Eric Christian, Joanna Glushak, Colin Cunliffe, Marty Lawson, Courtney Laine Mazza, Spencer Liff, Richar Poe, Mayumi Miguel, Peter Atthew Smith, Torrey Ross, Allison Spratt, Eric Sciotto, Stacey Todd Holt, and Charlie Sutton.

So, it’s time to book tickets for the Cry Baby musical on Broadway! Rather than wasting your time and energy at the box office, which is over-crowded, switch to the ticketing services. Call them or log online. You can even request home delivery of tickets.

You won’t be able to guess what happens of the good girl, Allison, and the bad guy, Wade, unless you watch the show. The show has some really good numbers, plus interesting performances by each character.

Get familiar with the teen life of the 1950s, rock ‘n’ roll music, and the temperament of parents. If you love musicals and love stories are to your taste, then Cry Baby musical on Broadway will soon become one of your favorite shows!

About the Author:

The author is devoted to New York entertainment including all things Broadway and has many articles with reviews of Cry Baby The Musical On Broadway which includes the best ways to get great seats for any Cry Baby The Musical On Broadway performance.

Article Source: ArticlesBase.comCry Baby the Musical on Broadway Will Soon Become Your Favorite!


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Harms, Aaron Christian

Dec 16
2007

Harms, Aaron Christian

Wendell Potter worked for 15 years as the head of public relations for CIGNA, one of the largest health insurance companies in the U.S. Wendell’s job was to keep high profile complaints from becoming major news stories. So when policy -holders were denied care or were kicked out of the plan for getting sick, Wendell’s job was to make sure that the fewer the people who knew about it, the better. For years, Wendell convinced himself that working on behalf of his company’s shareholders over and against the health needs of actual human beings was the right thing to do.

All of this changed at a health exhibit in Wise, West Virginia. When Wendell assumed that he would see things like routine blood pressure checks, what he actually saw astounded him. Wendell saw the people that were being treated in animal stalls and on gurneys, and the “long, long lines of people waiting to get care.” That’s when he had his epiphany. Wendell suddenly realized, “There could have been people and probably were people that I had grown up with. They could have been people who grew up at the house down the road, in the house down the road from me. And that made it real to me.”

Wendell Potter is now one of the nation’s top whistle-blowers advocating for health care reform. Whether you agree with Wendell’s politics or not, there’s something about Wendell’s story that I think should serve as a lesson for Christians of all political persuasions. In Matthew 18:15-17, Jesus laid out a principle that, if applied correctly, could go a long way in correcting many of the problems associated with corporate greed.

“Moreover if your brother sins against you, go and tell him his fault between you and him alone. If he hears you, you have gained your brother. But if he will not hear, take with you one or two more, that ‘by the mouth of two or three witnesses every word may be established.’ And if he refuses to hear them, tell it to the church. And if he refuses even to hear the church, let him be to you like a heathen and a tax collector.”

As I reflect on Jesus’ words, I can’t help but to think of Wendell’s story. It took seeing real people for Wendell to realize that his line of work was harming people instead of helping them. I don’t know if Wendell Potter is a Christian, but let’s assume temporarily that he is a Christian and that all those years of covering up claims of health care abuse for the purpose of lining shareholders’ pockets, Wendell regularly attended a Christian church. Might it not have been appropriate for a Christian that had been unjustly denied care by Cigna to confront him on the basis of the Matthew 18 principle? And had Wendell refused to listen, might the next step not have been to bring two or three witnesses and then to talk with his pastor or the elders of the church? Had Wendell refused to listen at that point; then perhaps the pastor or the church elders could have chosen some form of church discipline, like excommunication or denying communion.

If such an approach seems far-fetched, it’s probably because of the gigantic gap between modern Christianity and New Testament Christianity. In New Testament times, Christians were admonished not to drag their fellow Christian to secular courts (I Corinthians 6:1-6). Moral disputes and reparations were supposed to be kept within the Church. Nowadays, most Christians are so accustomed to appealing directly to Caesar for justice that we virtually skip the process that Jesus and the Apostles laid out for dealing with sin in the Church.

I wonder how many American Christians are doing jobs similar to that of Wendell Potter, or any other number of jobs that work against the interests of the poor—be it here or a far away country—and haven’t given it a second thought? It’s to these Christians that I think the Matthew 18 principle could go a long way in helping them to repent. The issues then become less about politics and more about personal discipleship. The fewer the Christians there are participating in unjust corporate structures, the brighter the Church’s light will shine. May God raise up Matthew 18-type ministries everywhere!

About the Author:

Aaron D. Taylor is the author of “Alone with a Jihadist: A Biblical Response to Holy War” and the founder of Great Commission Society. To learn more about Aaron’s ministry and his new book, go to http://www.aarondtaylor.com Follow Aaron on twitter at http://www.twitter.com/aarondtaylor . Aaron can be contacted at fromdeathtolife@gmail.com

Article Source: ArticlesBase.comA health care whistle-blower and a call to Christian accountability